AUTUMN WINTER 2027

A/W 2026 begins with a fascination with abstraction, movement and form.

Looking to the kinetic work of Greek artist Takis, the radical abstraction of Constantin Brâncuși, and the photographs of Nelly’s, the collection explores what happens when familiar forms are stripped back, distorted and allowed to move.

 There is no single shape or reference. Spheres, spirals, loops, elongated lines and irregular curves appear and disappear throughout the collection. Metal twists around itself. A line becomes an earring; a knot becomes a necklace; a sphere interrupts a strand of stones. Forms feel caught somewhere between something recognisable and something fully abstract. 

Together, these references, and others, translated in a permission to work more instinctively.

To draw without knowing exactly what the drawing would become. To exaggerate. To distort. To repeat. To leave something imperfect. To allow an unexpected curve or proportion to dictate the final object. 

There is a deliberate randomness to the collection: polished spheres against irregular stones, controlled lines beside wandering ones, symmetry interrupted by asymmetry. Some pieces feel almost primitive in their simplicity; others are expressive and unruly.

At its heart, the collection is about the pleasure of making form - approaching jewellery almost as small-scale sculpture, but never forgetting the body. Pieces change as they are worn: lines fall, pendants move, lariats shift, metal catches the light.

Objects formed through movement. Shapes arrived at by chance. Jewellery made with passion rather than perfect order.